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PLEASE NOTE THAT REGULAR PROGRAMMING WILL BE SUSPENDED UNTIL FURTHER NOTICE
Tuesday 22nd December 2009 at 8:35 am
ADVOCATES FOR WEB RADIO, ARTISTS, AND COMPOSERS (AWRAC)
Welcome to the new AWRAC website and portal, a place that advocates the rights of all webcasters across the world, to broadcast legally, without having to pay the exorbitant rates that are being proposed and legislated by various governments and record companies across the world.
First, what is internet radio?
Internet radio is the ability for either a person or a group of people to conduct a live audio feed of either continuous live content, or prerecorded material. Instead of a conventional transmitter, the internet radio station transmits it's program material via the internet.
This is made possible via the producer playing program material on a source computer, which then carries encoding software. It is then this software's job to turn the audio signals into data packets, such as lots of 1s and 0s. These are then fed through the computers modem, down the line to an ISP, who would then host a link.
On the other side, listeners would then click on this link that would appear on a webpage. This would initiate a player on their computer (in this case called the destination computer). The media players job is to then convert the 1s and 0s back into a stream of information, which then is the audio stream containing the program material.
In this chain, it is the ISP's job to replicate the stream, to the amount of listeners who tune in. For example if one person comes along, and clicks the link on the web page, the stream is replicated once, however, at the same time, another three people come along, and also click on the stream, then it is replicated four times.
This stream replication is then multiplied by the amount of concurrent listeners an internet radio station has. Concurrent listeners is a term used by the amount of listeners tuned into a station at a given moment.
So what is copyright in music, and why do stations pay for this?
Most radio stations across the world, either terrestrial, satellite or internet play music, most of which is copyrighted.
The copyright in a song, is noting the person who wrote the music. When an artist participates in a song, they are either the performer or the composer. This is noted in two ways, first the composer of the written work, which is the melody and the lyrics. Secondly it is the performer, the people who play the instruments and sing.
When a song is either played and copied, it is called the reproduction of the work, thus in the copyright, both the composer and the performer are remunerated for the reproduction of their work (reproduction of their material).
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PLEASE NOTE THIS SECTION IS CURRENTLY UNDER CONSTRUCTION, AS IT WILL BE UPDATED BY THE HOUR. PLEASE NOTE THAT ALL PROGRAMMING HAS BEEN SUSPENDED UNTIL FURTHER NOTICE.
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Copyrights and Public Domain.
In America copyright on motion pictures and sound recordings expired after around 20 or 30 years and had to be renewed. That changed in the mid 1970's when they brought in new copyright laws the covered sound recordings for 70 years. The law was retroactive, which means that if a song from 1930, for example, was public domain in 1970, it was not public domain any more. Songs from 1929 are only just entering the public domain in the United States now. There are groups out there trying to get this law extended further, to 100 years or even longer if possible.
In Australia the law was 50 years. So in 2000, a song from 1949 was public domain. In 2001, a song from 1950 became public domain. But in 2005 that law changed to match the American law of 70 years as part of the free trade agreement. The law was not retroactive, so any song from 1955 became public domain in 2006, but songs from 1956 will not become public domain until 2027.
In Europe, the United Kingdom also had the 50 year law. Other countries in Europe had similar lengths of copyright between 50 and 75 years. Then came the record industries trying to extend the length to 95 years. After about two years of debating, the final compromise was to make it 70 years across Europe. This came into effect just this year and was retroactive. So in 2008 in the UK, a song from 1957 was public domain. Now the oldest public domain songs are songs from 1928.
These laws apply to sound recordings. For publishing rights, the law has been similar worldwide all along, being that the song will be in copyright until 70 years after the composer has died.
FURTHER READING
Gershwin Heirs Fight Over Copyright Royalties http://techdirt.com/articles/20091102/0401476761.shtml
F. Scott Fitzgerald Made $8,397 On Great Gatsby; His Daughter Gets $500,000 Per Year From It http://techdirt.com/articles/20091028/0217246703.shtml
http://en.wikipedia.org/wiki/Mickey_Mouse_Law
Please check out the next page for some more great links.
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